Low Key Trampoline
Minneapolis based producer, musician, and lo-fi creator of electronic/jazz/post-rock music for RIGHT NOW
If you like When Will Space Close?, Pt. 2, you may also like:
Music that’s woozy and mysterious, like a warped 7-inch, played a speed too slow
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The songs on Kelly Reed’s latest are slyly self-deprecating, set to a backdrop of measured keys and guitar for maximum stateliness.
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The hushed songs on “Céus” summon, “a sacred place to which we confide our fears, desires, and search for answers.”
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Renan Vasconcelos’s latest is dark and hypnotic, full of elastic synths and a shadowy sense of mystery.
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pra hoje:
by Dramón & look ma! no wings
Five striking, ornate songs that have the stillness of ambient music, but are rich in detailed arrangements.
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The new LP from Dramón is haunting and moody—a shadowy take on trip-hop full of noir-ish moods.
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Purportedly the recordings of a disgraced experimental psychologist (you decide), “Jumand” sets spoken word to eerie synths.
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